Max Henríquez Ureña 83, Office 3B, Piantini, Santo Domingo, Dominican Republic

info@innventivalegal.com

Contact

Max Henríquez Ureña 84, Suite 304, Piantini, Santo Domingo, República Dominicana

info@innventivalegal.com

+1 809.793.7539

Category: Brand

BLOG-5
Brand

Non-traditional trademarks

Everyone knows that the way to differentiate one business or brand from another is not only through the sign that bears the name. Words, numbers, logos, are the types of marks that we commonly know and that every business owner must register.

To further mark the difference, it is possible to notice how businesses have implemented marketing strategies for consumers to remember and recognize them through other senses, such as hearing and smell. That’s why trademark laws, in this case, those of the Dominican Republic, regulate this particular aspect.

So yes, it is possible to register as a trademark: shapes, sounds, and smells as long as they meet the distinctiveness requirement. That is, those shapes, sounds, or smells are not intrinsic to the product or service, nor are they commonly used in the relevant sector.

Three-dimensional trademarks

These are those that protect the shape of a product, its packaging, or wrappers. Examples of this are the pyramidal shape of Toblerone chocolate, the Coca-Cola glass bottle, the Bic lighter, among others.

To register this type of mark, it is necessary to present images of the 3 dimensions (height, length, and depth) of the product, and in some cases, a sample of the product may be required. The key to obtaining approval and registration of this type of mark is that it is not a shape commonly used in the industry it represents.

Sound trademarks

These marks consist of sounds or musical notes. This is the case of the Harley Davidson, the roar of the Metro-Goldwin-Mayer Lion Corporation (MGM), and if you are Dominican, you must recognize the laughter of the broadcaster Jochy Santos, whose laughter is registered as a trademark.

In these cases, it is necessary to deposit:

  1. The description of the sound.
  2. A medium (CD or DVD) containing the analog or digital recording of the sound to be registered as a mark.
  3. A musical staff or a phonogram (optional).

If a musical staff is deposited, the ONAPI will send a copy to the National Conservatory of Music for the purpose of verifying that the description corresponds to the sound.

Olfactory trademarks

These are composed of odors or fragrances. If every time you open a Play-Doh package you perceive the same smell and it brings back your childhood memories, it’s no coincidence. It’s THEIR registered trademark. Another example is the smell of freshly cut grass from Vennootschap Onder tennis balls.

Thanks to olfactory marks, these particular smells serve to distinguish products and services and remind us of a particular brand.

In this case, to meet the requirement that the mark must be susceptible to graphic representation, the owner must present the chemical formula of the aroma, accompanied by its description and a sample of the smell.

Why a non-traditional mark?

If traditional marks are assets of businesses in general, imagine what it can mean to have an unusual intangible asset that distinguishes your business. One that brings your brand name to the minds of your consumers just by seeing a certain shape, or perceiving smells or hearing specific sounds.

Undoubtedly, this type of distinctive feature takes brands to another level, and of course, intellectual property had to be present to ensure exclusivity.

If you have or would like to have a non-traditional [or traditional] mark in your business, you should know that each case is different and will require personalized assistance to determine availability, NICE classification, and other important details. You can write to us at info@innventivalegal.com so that together we can ensure your brand and other intangibles of your business.

Written by the Innventiva Legal team. If you want to learn more about this and other intellectual property topics or receive legal assistance for your new projects, write to us at info@innventivalegal.com 

4.-Diseno-Aut-Jemima
Brand

Aunt Jemima: Brief Notes in Light of Intellectual Property.

By:  Laura Castillo

Many opinions have been expressed regarding the announcement made by Quaker Oats that they would be changing their Aunt Jemima brand. The news is curious because the brand has a recognized history, over 130 years in the market, and nowadays very few people would not be able to associate the dark-skinned woman, with curly hair and an exuberant smile, with Aunt Jemima – the brand of maple syrup and pancake mix. This news was revealed following the multiple protests sparked by the brutal murder of George Floyd. In 2022, they have already begun to place products with the new presentation.

Although it might be interpreted as an act of social responsibility, many believe that changing the brand is not relevant to combating racism and discrimination. However, it is important to consider that the owners themselves have stated that both the logo and the brand name were created under a racial stereotype. In particular, Aunt Jemima has its origins in the so-called “mammy” of the 19th century, an old African American slave, a domestic servant with an apron and a scarf on her head, characterized by being submissive and dedicated to pleasing and serving whites. Since its creation, the “mammy” logo has been renewed on several occasions: the bandana has been removed, the nose refined, and a pearl earring added. This, in response to criticism of the outdated and negative representation of African American women.

In addition to the “mammy,” other stereotypes have been used to illustrate brands. There is the so-called Sambo, a happy but lazy and irresponsible black man; Tom, depicted as a happy man willing to serve whites; and Jezebel, symbolized as a sexually immoral female character.

While the announcement of Aunt Jemima may be small in the fight against racism, the important role that brands play should not be overlooked. Professor Llewellyn Gibbons pointed out that brands shape social identity. Both the brand and the advertising associated with it have the power to change perceptions and the way we interact with each other.

Hence, it is an internationally accepted criterion not to admit as trademarks signs that are contrary to morality, public order, or that ridicule people or ideas. Undoubtedly, brands created under stereotypes ridicule and offend the honor and dignity of individuals. In this case, the Aunt Jemima brand has found protection because it is not explicit discrimination, but rather a graceful stereotype. Other brands in similar situations include Uncle Ben, Mrs. Butterworth, and the Cream of Wheat chef.

These reasons for changing the image and name of brands have been previously considered and executed by holders such as Bimbo and Fritos with their brands i) Negrito and ii) Frito Bandito, respectively. Both were considered derogatory by consumers. The first was a brand of chocolate-covered breads and was depicted by an African American teenager. Because it was considered racist, the brand changed to Nito, and the character became white-skinned with afro hair. The second case, owned by Fritos, consisted of a character representing the stereotype of a Mexican swindler from Western movies, spoke English with a Mexican accent, was armed, and wore a gold tooth. The Mexican American Committee Against Defamation pressured Fritos to clean up the image of Mexicans being promoted with this brand. In response, they changed the hairstyle and attitude of the character. Later, the brand changed to Muncha Bunch, represented by a group of cowboys.

Having said that, and in light of the fact that intellectual property rights influence how we interact, perceive ourselves, behave, and are intrinsic to culture, it would be completely understandable and appropriate for Aunt Jemima and other brands with similar conditions to be moved to change their image to one that does not denigrate a segment of society.

Deseriee A. Kennedy, Marketing Goods, Marketing Images: The Impact of Advertising on Race, 32 ARIZ. ST. L.J. 615, 615-17 (2000).

Greene, K.J. “Intellectual Property at the Intersection of Race and Gender: Lady Sings the Blues.” American University Journal of Gender, Social Policy & the Law. 16, no. 3 (2008): 365-385. 

Semiotics of the Scandalous and the Immoral: Trademark Law Post Lawrence v. Texas, 2 Marquette I.P. L.J. 187 (2005).

Written by the Innventiva Legal team. If you want to learn more about this and other intellectual property topics or receive legal assistance for your new projects, write to us at info@innventivalegal.com 

Brand

WHAT HAPPENS IF I DON’T USE MY BRAND OR TRADE NAME?

If you’ve already registered your trademark and/or your trade name, don’t think that’s enough; now you have to use them. It might seem obvious, because why would I register it if I’m not going to use it? But there are those who seek to have a distinctive sign “saved” and proceed with its  registration without any intention of using it immediately, and there are also those who pause projects for indefinite periods of time. However, this is not the best option because, believe it or not, if you stop using your trademark for an uninterrupted period of three years, or in the case of trade names, five years, they can be canceled at the request of an interested party if there is no justified cause for the lack of use.

But, how do I “use” my trademark? According to Law 20-00 of Industrial Property of the Dominican Republic, a trademark is considered in use when its products and/or services are placed in commerce or are available in the national market. In other words, having an Instagram account is not enough; the products and/or services that the trademark distinguishes must be actively marketed in the Dominican Republic.

To confirm if a trademark and/or a trade name are being properly used, the National Office of Industrial Property offers a service called “use inspection.” As its name implies, this service investigates the use of a distinctive sign within the country, thus confirming whether it would be possible to proceed with cancellation due to non-use or abandonment.

In the case of trade names, at the time of renewal (that is, 10 years after registration), evidence of use must be provided. This can include photos of the products distributed under this trade name, invoices issued to and by this commercial entity, among others, which can truly demonstrate that this trade name has not been abandoned. This is not a requirement for trademarks.

Finally, it is important to mention that the cancellation due to non-use of a trademark must be requested by a third party. This request would not be successful until three years have elapsed since the date of registration of the trademark. Likewise, cancellation will not proceed if there are justified reasons for the lack of use.

If you have been notified of a cancellation due to non-use or if you need to file such an action, Innventiva is here for you. You can write to us at info@innventivalegal.com 

Written by the Innventiva Legal team. If you want to learn more about this and other intellectual property topics or receive legal assistance for your new projects, write to us at info@innventivalegal.com 

BLOG-2
Brand

Should I register my logo in color or black and white?

When registering your brand, you must decide whether it is necessary to proceed with the registration of your logo, or simply the name of it. So we explain what you need to know to make this decision that is much more important than it seems.

Is this logo and its colors definitive?

If you already have the definitive logo with its colors and there is no way you will change these, then it would indeed be most advisable to register your brand’s logo. If you are still unsure about this logo, the smartest thing to do is to proceed with the registration of a denominative brand. This is because once the logo is registered, it is not possible to make modifications to it unless you request another registration. Protection is granted to that composition of figures, which may or may not contain letters.

 

If it's definitive, should I register it in color or black and white?

Although it may be a surprise to many people, there is indeed the possibility of claiming rights over the colors presented in your logo. But, how do I know if I should do this or not? Simple, claiming the colors limits your logo, once you have claimed the use of those colors, there will be no opportunity to change or modify them within the same registration.

Not claiming colors weakens arguments for potential trademark infringers, as they will not be able to argue that they are “using different colors.” An advantage of registering your logo in black and white is that it will allow you to play with colors and modify them either due to a trend or because you really want to rebrand the colors that identify your business.

However, if you understand that the colors of your brand are essential to distinguish its products or services, and that these colors really make the difference between your brand and others in the market, then the most sensible thing is to claim them. This claim consists of naming the colors you seek to protect, making them appear in your brand registration certificate at the end of the procedure.

Therefore, large brands usually register their logos both in color and in black and white, to have the maximum possible protection. However, you should know that each case is different and will require personalized assistance. You can write to us at info@innventivalegal.com so that together we can ensure your brand and other intangibles of your business.

Written by the Innventiva Legal team. If you want to learn more about this and other intellectual property topics or receive legal assistance for your new projects, write to us at info@innventivalegal.com 

BLOG-4-1
Brand

From dream to reality

M

any understand that having a brand is simply creating a logo. We see Coca-Cola, Café Santo Domingo, La Sirena, and think it’s as simple as having a nice design to put on our packaging; I include myself because at some point I thought that too. However, a brand goes much further than a combination of words and colors that catch the eye.

Lately, entrepreneurship has become a trend; so much so that it seems like today, everyone wants to create something of their own, to have an income that depends solely on us and not on our employers. It’s as if we all want to have our own brand. However, few of us know what steps to take to turn our idea into reality.

What is a brand?

A brand is “any sign or combination of signs capable of graphic representation capable of distinguishing the products or services of a company, from the products and services of other companies” (art. 70.a Law 20-00). There are many types of brands, but the most used in the Dominican Republic are the denominative, mixed, and figurative ones. The denominative brand is nothing more than the name, without colors, without design, without anything; the mixed brand is composed of letters, figures, and colors, it is what we know as the logo with the company name; and finally, there are the figurative brands, which are nothing more than geometric figures with colors, they differ from the mixed ones because they do not have letters or words.

Contrary to popular belief, just by using the brand first, you are not the owner of it; since the exclusive use of a brand is acquired through its registration (art. 71.1, Law 20-00). Therefore, it is important to proceed with the formalities of the Law before launching your brand, as this is the only thing that guarantees its exclusivity.

 

Should I register my logo from the beginning or not?

Registering or not registering your logo is also something you should consider. Brands (regardless of type) are registered for renewable periods of 10 years. Therefore, if you are already totally sure of your name, but the logo can change, it is most advisable to proceed with the registration of a denominative brand, so you already protect the words that identify your products and services. While if you understand that your logo is definitive, it is preferable to register your brand as mixed, so you get total exclusivity over that graphic representation.

To claim our rights, it is necessary to fulfill our duties, but we understand that it doesn’t always seem like the best option in economic terms. Therefore, at INNVENTIVA Legal Space, we have created plans aimed at entrepreneurs, with competitive prices to make your dream a reality. Email us at info@innventivalegal.com to receive more information.

 

Written by the Innventiva Legal team. If you want to learn more about this and other intellectual property topics or receive legal assistance for your new projects, write to us at info@innventivalegal.com 

Diseno-blog-3
Brand

There is also intellectual property in carols.

The most beautiful time of the year is already here, and with it come all the Christmas traditions that we enjoy so much. Gift exchanges, Christmas dinner with those dishes that we only bring out once a year, hot chocolates, family gatherings, and obviously, the Christmas carols. Those songs whose rhythm transports us to our childhood, and their lyrics fill us with hope. Songs that seem to have no owner, as they are on everyone’s lips from the beginning of December and are passed down from generation to generation.

So it becomes interesting to question the rights that the authors of these very special songs have.

In the Dominican Republic, copyright is covered by Law 65-00, and the country is also a signatory to the Berne Convention, which regulates these rights internationally. According to national legislation, copyright arises with the work, making it inherent to its creator and independent of the formalities contemplated in the law. Both national and international legislation establish that “copyright” includes, among other things, the protection of literary and artistic works, including musical compositions, with or without lyrics. So it is clear that, even though they seem to belong to everyone, Christmas carols belong to their creators, in terms of rights.

However, these rights are not infinite, as they have an expiration date. According to both national and international legislation, the copyright belongs to the creator of the work throughout their lifetime, and after their death, it passes to their spouse, heirs, and assigns for a period of fifty years from the death. In the case of collaboration, the 50-year period runs from the date of death of the last co-author.

Once the fifty years have passed, the work becomes public domain, which means that the use of these works will be free. On the other hand, those songs that have not entered the public domain cannot be used freely and are subject to the famous “copyright,” so their use should, in principle, be remunerated to the author.

Surprisingly, although we would think that all Christmas carols are in the public domain (because we have been hearing them all our lives), there are some, such as “Santa Claus Is Coming to Town,” “A Holly Jolly Christmas,” “Jingle Bell Rock,” “Rockin’ Around the Christmas Tree,” “Feliz Navidad,” “Have Yourself a Merry Little Christmas,” “Here Comes Santa Claus,” “Last Christmas,” and “Ya Llegó la Navidad” that have not yet entered the public domain, so they should not be used without authorization.

But fortunately, there are Christmas carols like “Jingle Bells,” “Silent Night,” “The First Noel,” “The Twelve Days of Christmas,” “We Wish You a Merry Christmas,” “Deck the Halls,” “Santa Claus Is Coming to Town,” “Jingle Bell Rock,” and “Have a Holly Jolly Christmas” that are already in the public domain. So they belong to everyone and for everyone, as long as the authorship and integrity of the musical work are always respected.

So, the next time you think about using Christmas carols, think twice and make sure they are those that are already in the public domain.

Written by the Innventiva Legal team. If you want to learn more about this and other intellectual property topics or receive legal assistance for your new projects, write to us at info@innventivalegal.com 

Screen-Shot-2021-11-24-at-9.57.01-AM1
Brand

The metaverse in full swing

By: Isabella Dipp y Laura Castillo

After the change from Facebook, Inc. to META, the “metaverse” has been on everyone’s lips. Although it may sound like something out of a science fiction movie, the metaverse promises to be real. This term refers to a wide variety of experiences, environments, and above all, assets, but all virtual; a kind of intangible universe.

It is speculated that the keys to unlocking the metaverse will be non-fungible tokens or “NFTs,” which are made up of blockchains. These tokens store a multitude of information in all possible formats. They are characterized by being unchangeable, uncopyable, and incorruptible, making them an asset for anyone who acquires them. Basically, it is a unit of data stored on a digital chain called blockchain, which contains a unique digital asset that is safeguarded and impossible to manipulate. This unit of data is a unique digital asset, which gives it its “non-fungible” quality.

Due to their characteristics and the great boom they have been experiencing, many companies have dared to venture into this digital world by creating their own digital assets.

We can see how Nike, which currently has a market capitalization of US$263.27 billion, recently proceeded with the registration of trademarks to protect “a system and method of providing cryptographically secure digital assets,” indicating that they will be entering this new digital world. Likewise, they proceeded with the registration of their most iconic trademarks such as “Nike,” “Just Do It,” “Jordan,” and “Air Jordan” for the protection of their use in various virtual goods and services.

On the other hand, in the beauty sector, we can see ELF with its non-fungible tokens, who ventured into the launch of their “Crypto Cosmetics.” The globally renowned beauty brand took three of its most beloved products by the public and brought them into the digital world. The products “Poreless Putty Primer,” “16hr Camo Concealer,” and “Ride or Die Lip Balm” from ELF are already available, and you can acquire your own “Crypto Cosmetics” to be part of this brand’s legacy.

Vogue Singapore also joined in by launching “mystery boxes” in NFTs as part of its September edition. The boxes contain artwork featuring sunrises from 10 cities around the world, created in collaboration with Brytehall and NFKings. The president of Vogue’s publishing company established that this is just the first step toward a long-term strategy to unite the cryptocurrency community with luxury brands.

Even the toilet paper brand “Charmin” released its own NFT crypto collection for sale. There are three original toilet paper art pieces. The art is a cryptocurrency token that certifies ownership of the digital file through a blockchain and will be accompanied by a physical display that allows this art to be hung alongside real rolls. The brand’s vice president says that “a good bathroom experience can expand beyond the seat,” and expressed that this was a fun way to “give Charmin’s biggest fans a virtual version of their favorite roll.”

Likewise, another company venturing into the world of digital assets is the NBA. After approximately US$84 million in revenue loss, they decided to venture into the digital world, leaning towards the NFT movement and making significant investments in them. The league has seen a great interest in “Top Shots” and launched its first digital initiative focused on collectible NFTs. They have dedicated themselves to commercializing the best game releases through blockchains, allowing fans to own unique and historic moments from their favorite games.

 

The million-dollar question is, what do you get with the purchase of an NFT?

By acquiring a digital asset such as non-fungible tokens, which are unique and therefore not interchangeable, what is acquired is ownership of said token.

In principle and as a general rule, it should be thought that the purchase of the token does not acquire intellectual property rights over the art. However, the reality is that everything will depend on the license that regulates each NFT project. For example, the famous Doodles project allows its buyers to create and sell physical goods up to a maximum amount of US$100,000.00 while prohibiting them from creating derivative NFT projects from their arts or with the same arts.

Similarly, the Mekaverse project grants a global license to “use, copy, and display the purchased art” for commercial purposes. In this project, the only prohibition is to create 3D models of the figures presented in the NFT images. Apart from that, token holders have an open door to commercialize the image outside the virtual world.

On the other hand, the Cryptoadz project expressly waives all copyrights to its NFTs.

Finally, the famous Bored Apes Yacht Club monkeys grant a broad commercial license to all NFT holders. The initial cost of one of these images was around US$250, and currently, in the secondary market, they are trading for approximately US$2.7 million. Thus, buyers of these arts not only hold a great asset, which, although volatile, is highly coveted by major artists and athletes, but also have an open door to monetize the art in the physical world. Hence, we can witness the sale of merchandise such as T-shirts or caps with these famous monkeys, as well as projects derived from these NFTs and even street murals that beautify different cities around the world.

On the contrary, other NFT projects, in fact, the majority, prohibit the use of art for commercial purposes and establish that the rights to the images are exclusively the token itself. However, they allow token holders to use the image as a profile picture on their Twitter and Discord social networks. Hence, Twitter released an update to its application whereby it becomes possible to verify that whoever has a profile picture with an NFT art is actually the token holder and not just a screenshot.

In short, the topic is extensive, the high prices of the arts, and their volatility make it incomprehensible for everyone. However, for this very reason, it is essential that everyone, from creatives, lawyers, and investors, pay attention and educate themselves about it. This is undoubtedly the approach to a new reality, that of the Metaverse; where “normal” will be video calls instead of meetings; digital wallets instead of physical wallets; cryptocurrencies instead of state currencies. Non-fungible tokens are just a step towards this universe, and they bring us a little closer to the “reality” that the “Steve Jobs” of our generation want to materialize, even if it is in a digital way.

Written by the Innventiva Legal team. If you want to learn more about this and other intellectual property topics or receive legal assistance for your new projects, write to us at info@innventivalegal.com 

Innventiva Service Request Form

Our team of experts is ready to assist you in a wide range of legal areas, including intellectual property, corporate law, litigation, and much more.

    Innventiva Service Request Form

    Our team of experts is ready to assist you in a wide range of legal areas, including intellectual property, corporate law, litigation, and much more.

      Innventiva Service Request Form

      Our team of experts is ready to assist you in a wide range of legal areas, including intellectual property, corporate law, litigation, and much more.

        Formulario de Solicitud de Servicios de Innventiva

        Nuestro equipo de expertos está listo para ayudarte en una amplia gama de áreas legales, incluyendo propiedad intelectual, derecho corporativo, litigios, y mucho más.

          Formulario de Solicitud de Servicios de Innventiva

          Nuestro equipo de expertos está listo para ayudarte en una amplia gama de áreas legales, incluyendo propiedad intelectual, derecho corporativo, litigios, y mucho más.

            Formulario de Solicitud de Servicios de Innventiva

            Nuestro equipo de expertos está listo para ayudarte en una amplia gama de áreas legales, incluyendo propiedad intelectual, derecho corporativo, litigios, y mucho más.